Eleven Days To Go
Just the other day a kind soul I work with dropped off eight winning caps for the Pepsi/iTunes music giveaway. Feeling generous, I gave two away to a new iPod owner I know and promptly redeemed the remaining six. Then a couple days later I picked up one of the last bottles of Mountain Dew that I happened to find in a local store and it was a winner, too – until I put it in a recycle bin the following day, cap and all. The giveaway ends April 11th so I’d better be a lot more careful. Otherwise I’ll have to dip into that tasty $15.00 iTunes gift card I got for buying iPod socks and some new earphones from Amazon.
Still, I’m rather pleased with the tunes I collected since my last blog entry. Not much in the Jazz category, but Norah Jones redefines the nearly worn-out phrase “dulcet tones” with “Don’t Know Why” from Come Away With Me. Her voice reminds me of a sipping whiskey: smooth, with a bit of bite and a warm scratch that leads to a slight intoxication. I will certainly check out other work by this talented lady.A Big Band/Jazz standard, “That Old Black Magic,” made it in this round. Louis Prima and Keely Smith give memorable performances on in this release (Ultra-Lounge, Vol. 5: Wild, Cool & Swingin'). Of all the choices on iTunes this was the best one. Sadly, the Sammy Davis, Jr. rendition I was aiming for wasn’t available. There was one from this classic song and dance man, but it seemed forced. Much like the performances I sampled from Judy Garland, Peggy Lee, Sarah Vaughn, and others. I would have preferred one on par with Jerry Lewis’s recording in the original Nutty Professor. Maybe I was biased by the stunning Stella Stevens, but Mr. Lewis did a fabulous job.Last in the Jazz group from this outing is Lisa Stansfield renewing my love of Gershwin with “They Can't Take That Away from Me” from The Glory of Gershwin. The orchestration beautifully compliments the light smokiness in Miss Stansfield’s vocals. She puts genuine emotion into the song thus reminding me of a playful flirt who wants to experience the fullness of the song’s various intonations. Top form, truly.
Rock dominated and two of the best come from Joe Cocker: “Maybe I'm Amazed” and “You Are So Beautiful” (Heart & Soul and Greatest Love Songs, respectively). Once again I find myself asking why I hadn’t downloaded these songs before now. The latter is especially dear to me as I often sung it (badly, by all rights) to my daughter while she was alive. Actually, I’m surprised I can listen to either one with the memories they evoke of my lovely little girl and other relationships I’ve had. Time may not heal all wounds, but it gives a perspective that filters the past and softens the hurt if one doesn’t concentrate too much.
Guitar wizard Ted Nugent showed up again with a track I almost purchased before I found “Stranglehold.” His “Great White Buffalo (Live)” is the first song that comes to mind when Steady Teddy is the topic. Actually, the whole album Double Live Gonzo! seemed pretty good, but with room on the ol’ iPod getting tight I’ve decided to become more judicial with my acquisitions. It is not often a Rock song actually tells a story, but Mr. Nugent’s love of wildlife and the outdoors clearly inspired him to share his passion. But I wasn’t so limited that I didn’t grab “Hibernation (Live)” from the same album. It’s a 16 minute, 57 second humility lesson. I wonder how many people heard this, said “Jeez! I’ll never play that good!” and smashed their guitars in frustration. It’s not a very hard rocking song, but clearly Mr. Nugent is going wild. There are times that the band seems to have trouble keeping up. I can almost picture this recording taking place in a small Jazz club after hours when the artists play to amuse themselves – particularly the work about starting aboutNo temptation seize a man that he can't overcome
who am I to be fallen?
Crack your back on a slab of wood
Come freedom, nail it down
I come crawling,
I come crawling